Beauty and the Beast made its debut at the New York Film Festival on September 29, 1991 with a work-in-progress version of the film, which was met with a ten minute standing ovation as the film reached its happy ending. Beauty and the Beast made it theatrical debut a few months later on November 22, 1991 and over the last twenty-five years, Disney's animated classic broke box-office records, received a historic "Best Picture" Academy Award nomination, inspired a Broadway musical, nestled into a corner of the Magic Kingdom, and will soon make its way back to the big screen as a live-action film.
Disney has celebrated Beauty and the Beast's 25th anniversary over the past several months with screenings around the country, a D23 Fanniversary, complete with new interviews, and a new Blu-ray release with all new content. There was a lot to take in and now you have two convenient stops to find all the latest anniversary information.
The blog's 25th Anniversary Round-Up is divided into two posts. Part Two includes: behind the scenes videos, music videos, graphics, and more.
Part One, which you can see here, includes Beauty and the Beast Movie News Posts, video interviews, and other interviews with the original voice cast. Be sure to check back for updates. Behind the Scenes Videos:
On September 29, 1991, just a few months before Beauty and the Beast's November theatrical release, a work-in-progress version of the film was screened at Lincoln Center's Alice Tully Hall during the New York Film Festival. The film, which featured storyboard art and pencil tests, as well as completed animation, received a ten minute standing ovation during the event. Alice Tully Hall once again celebrated Disney's animated classic with a special 25th anniversary screening complete with an appearance from the original cast. Those in attendance were also treated to a performance of "Beauty and the Beast" from Angela Lansbury (Mrs. Potts) and composer Alan Menken. Check out interviews, photos & more from the screening below.
Disney is celebrating the 25th anniversary of Beauty and the Beast by bringing the animated classic out of the vault once more for a Signature Collection release. The new Blu-ray/ Digital HD release boasts new bonus features, including "#1074: Walt, Fairy Tales and Beauty and the Beast," a new documentary that traces the tales' history with the studio back to the days of Walt Disney himself.
Yahoo! Movies debuted a clip from the new featurette with producer Don Hahn, animator Glen Keane, and more discussing a painting by Kay Nielsen that influenced a turning point in the story of Belle and Beast. Hahn also spoke about how the scene plays out in the live-action film directed by Bill Condon.
Hahn promises the sequence will be just as memorable in Bill Condon’s upcoming live-action adaptation of Beauty and the Beast, which stars Emma Watson and Dan Stevens and will hit theaters on March 17, 2017. “I didn’t talk to Bill about Nielsen’s piece, but the moment in the film is exquisite. Bill crafted something that’s wonderfully caring, romantic and beautiful at the same time,” said Hahn. “It’s the kind of moment that filmmakers dream of, and it inspired Kay Nielsen, us, and now Bill.”
Beauty and the Beast will be available September 6th on Digital HD & Disney Movies Anywhere and September 20th on Blu-ray & DVD. Click here for more information on the release.
If you are set to brave the crowds at Comic-Con this weekend be sure to keep a spot open on your schedule for a special Beauty and the Beast 25th anniversary panel.
Beauty and the Beast: 25th Anniversary is scheduled for Friday, July 22nd at 4:30 pm (Room 5AB) and will include a discussion with the film's producer Don Hahn and directors Gary Trousdale and Kirk Wise.
Oscar-nominated producer Don Hahn, directors Gary Trousdale and Kirk Wise, and an all-star panel of filmmakers discuss the making of the Disney classic Beauty and the Beast, the first animated film to be nominated for an Academy Award for Best Picture.
The Academy hosted a 25th anniversary screening of Beauty and the Beast last night, complete with a panel beforehand with the original cast and creative team of the animated classic. Six videos from the event are now available to view, discussing a few of the film's main characters (Belle, Beast, Gaston, Cogsworth, Mrs. Potts), as well as how the creative team came together and the beloved ballroom sequence.
During the Academy's 25th anniversary celebration of Beauty and the Beast, Paige O'Hara (Belle) and producer Don Hahn praised the always astonishing Angela Lansbury (Mrs Potts), while the Tony-winner herself looked back fondly on her character and the film's title song.
Check out more from the 25th anniversary screening here.
Just one month ago, the El Capitan Theatre held a Throwback Thursday screening of Beauty and the Beast and tonight the Academy got in on the celebration with a 25th anniversary screening of the beloved film. Prior to the film, the original cast and creative team took to the stage to discuss the film and its enduring legacy. Those in attendance included Angela Lansbury (Mrs. Potts), Richard White (Gaston), Paige O’Hara (Belle), Robby Benson (Beast), Bradley Pierce (Chip), producer Don Hahn, director Gary Trousdale and supervising animators Andreas Deja, Mark Henn, Glen Keane, and key story artist Brenda Chapman.
Composer Alan Meken was originally set to attend, but was unable to make the screening because of his work on the live-action film. In a recent interview, Menken discussed the upcoming live-action film, as well as his songwriting partner Howard Ashman, who passed away before the animated film's release.
"I would love to be there," explained the 66-year-old Menken in a weekend phone interview. "But I don't know how I get there and back without essentially losing two days of working on the 'Beauty and the Beast' movie.'"
"This, of all the projects, was the one that was infused with sort of that last flame of his [Howard Ashman] talent and creativity and heart," Menken said. "And, I think, at some interesting level, that comes through in 'Beauty and the Beast.' It comes through in these tender moments."
Menken recalled how he and his wife "just wept" when they got to the film's closing credits and saw the dedication to Ashman: "It was just an incredibly intense, sad and beautiful time, and the film is a result of that."
Check out a selection of photos and tweets from the event below. This post will be updated as more photos, etc. become available.
Glamour- Disney's Beauty and the Beast 25th Anniversary: The Story Behind Belle's Ball Gown and More Secrets You Never Knew
Don't Call It a Cartoon: Robby Benson reminisced about his audition process for the Beast: "I could tell immediately that it wasn’t like anything that I had gone up for, as far as animation. It read like a Broadway show." Whatever you call Beauty and the Beast, just don't call it—or its characters—a cartoon. "I never thought of Beast as a cartoon," he said. "That’s a bad word. It’s not a cartoon, thanks to [Glen Keane]. It’s amazing." So what was the key to giving the Beast an endearing quality? "I wanted to play [him] honestly. Instead of [growling], I spoke the lines [in the audition]." Most importantly: "Play it from the heart," advises Benson.
Gaston, the Soap Opera Star? Yes, it's true: Gaston was somewhat modeled after those handsome soap opera stars. "I had a hard time getting a hold of Gaston visually," admitted supervising animator Andreas Deja. "I understood him from a story point of view, but visually was hard. Jeffrey Katzenberg said 'He’s not handsome enough.' I said, 'But he’s the villain! Do you want a soap opera star?'" Sure enough, Deja ended up sketching soap opera model-types! The reason Katzenberg wanted such a handsome-looking Gaston? "He said, 'Look, the story we’re trying to tell here is don't judge a book by its cover, so Gaston has to have the opposite qualities of the Beast,'" Deja shared. "It was important for Katzenberg that Gaston came off as full of himself and arrogant. I said, 'If he’s handsome, it’s going to be difficult.' Jeffrey said, 'Well, no one said it was going to be easy!'"
The Story Behind Belle's Yellow Ball Gown: While we'd like to think as much thought was put into Belle's epic princess moment as it takes celebrities to decide what to wear to the Met Gala, it turns out it wasn't quite like that. "We were designing Belle’s ballroom dress one night, and it was me and a bunch of guys eating pizza and drinking, deciding what Belle was going to wear," Hahn revealed.
The Hollywood Reporter- Cast and Filmmakers Recall Making of ‘Beauty and the Beast’ at 25th Anniversary Screening
Talking with The Hollywood Reporter during the event's opening reception, Hahn attributed the film's timeless appeal to relatable characters. Referring to the Beast, he said, "We've all felt awkward and like no one can love us."
He continued: "Belle wasn't looking for a man, she was looking for adventure. That's something we can relate to. It's almost ahead of its time in terms of that kind of story ... people come up to me and say, 'I've dated guys like Gaston.'"
Indiewire- What We Learned About Beauty and the Beast At Its 25th Academy Reunion
An Empowered Belle
Mark Henn, the supervising animator for Belle (Paige O'Hara), said the most unique aspect was making her the oldest leading lady in Disney's esteemed line-up. She was more mature, she knew her mind, and "she wasn't looking for a 'whole new world.'" She was devoted to her eccentric father and she didn't need a prince charming to make her life complete.
Plus, her love story with the Beast (Robby Benson) developed gradually and believably.
Calling Lansbury
Ashman and Menken cold-called the veteran actress in Los Angeles and pitched her on playing the maternal Mrs. Potts by playing their rock-laden theme song. Lansbury was enticed but had her own vision for performing the song. However, her flight from Los Angeles to New York to record it live with the New York Phil was delayed as a result of a bomb scare. But despite a layover in Vegas, Lansbury made it in time and insisted on recording as scheduled. She got it on the first try.
TooFab- Beauty and the Beast Turns 25 -- 10 Secrets Unveiled at Amazing Anniversary with Entire Cast and Crew!
It Wasn't Always a Musical
When the film was first conceived, it was meant to be a straight animated film ... but the movie's predecessor changed everything.
"There was a little film that came out before us called 'The Little Mermaid,'" revealed producer Don Hahn. That flick's success brought "Mermaid" songwriters Howard Ashman and Alan Menken onto the project ... and the original version was totally scrapped.
Hahn says the tunes took what he called a "European story" and turned it into "something uniquely musical."
Angela Lansbury's Friends Have a Sense of Humor
Hopefully Angela Lansbury actually likes tea -- because she has pots for days!
"I have the biggest collection of teapots you'll ever see," the 90-year-old reveals. "During the period the movie came out, everyone sent me teapots."
Beast's Design Was Inspired By a Few Trips to the Zoo
Animator Glen Keane says Beast's design started from the leg up.
While in London working on the film, he became entranced by the wolves at the local zoo ... and the way they "paced back and forth." He used their back legs for the beast. Early drafts of the Beast drew inspiration from mandrills as well, though the creature's colorful face and rear end didn't make the final cut.
Keane says they also picked up buffalo and wild boar heads at a nearby taxidermy shop to get the creative juices flowing in the studio ... and he observed gorillas from a close distance, "to know what it felt like to be Belle face to face with a 600 pound beast."
USA Today- 8 Things You Never Knew About Beauty and the Beast
The original Belle has communicated with the new Belle.
Paige O'Hara, who voices Belle, could not be more pleased with the casting of Emma Watson as the live-action leading lady. In fact, unlike the rest the original voice cast, she has corresponded with the actress playing her character. "I sent messages to her, and I got some back," O'Hara said. "I just said to have a great time."
Animators obsessed over Gaston's chest hair.
Supervising animator on Gaston, Andreas Deja, said there was a contest among animators to design Gaston's chest hair that's exposed while the character sings the line "And every last inch of me's covered in hair." Deja said that working on Gaston -- his chest hair and all -- was a challenge, because Deja was told that the character "has to be handsome," but also evil.
Click here to view all six videos from the screening.
It is sometimes hard to believe that we will be celebrating the 25th anniversary of Beauty and the Beast this November and some cannot wait for the festivities to begin! Last night, the El Capitan Theatre in Los Angelese held a special Throwback Thursday screening of the film, complete with an appearance from producer Don Hahn, video messages from Paige O'Hara (the voice of Belle) and composer Alan Menken, and even a surprise meet and greet with Belle herself. Check out a few photos from the night below.
In 2006, the American Film Institute (AFI) revealed its list of the 25 best musicals in American cinema. Ranked at number twenty-two, Beauty and the Beast is the only animated filmand one of only two Disney films to be featured on the list (Mary Poppins holds the sixth spot on the list). Check out the full list here
“We have Emma Watson playing Belle and this terrific cast with Emma Thompson, Ewan McGregor and Ian McKellan doing voices and being performers. It’s hard to go wrong. They’re all after the same great entertainment, good storytelling that’s appropriate for audiences today. The Beast is played by the coolest guy, Dan Stevens from Downton Abbey who I love. It’s perfect because he’s got this amazing heart for the role and he can do drama and the darker side of it too. So I just can’t say enough about the cast and the filmmakers on that one.”
"Evans cites the 1991 Disney animation as one of his favourites due to the 'iconic' story and songs, which Condon's version will retain while adding several new toe-tappers. 'It's incredibly loyal to the story. All the music is there. I literally can't wait to see this. It's very exciting.'"
AV: Indeed, right now you’re working on the live-action film of Beauty And The Beast. Can you tell us a little about it?
MK: I’ve been working on that for over a year now, I guess. All the principal photography has been completed. Right now, we’re heading toward recording the first few songs for the film. The way we’ve been working on the film is that we record the vocals first to synth mock-ups. From that, we can change things like tempos. Obviously, when you’re in the digital realm, you can do all those things. And then we record the orchestra after that. So, we’re heading to London next month and we’re gonna have a 92-piece orchestra. Danny Troob has got the chance to re-invent his orchestrations for the existing songs. As for me, some of the most challenging, fun and rewarding things I’ve done have been to arrange the underscore for the shows that I’ve done with Alan. I’ve approached music from #1 – the dramatic point of view and #2 – the musical point of view. That’s what appeals to me so much in underscores. How do we accomplish this or that, or get from point A to point B and sound like it’s always been that way, from the dramatic, emotional point of view? And so Alan let me do this for the first time on a film, helping him write some of his underscore. So, right now I’m tackling the songs and the interstitial music on the songs. And that’s what’s occupying most of my days right now!
Thompson also stars as a German mother opposite Brendan Gleeson in the World War II drama Alone in Berlin (slated for release this year) and takes on the iconic role of Mrs. Potts in a new version of Disney’s Beauty and the Beast (out March 17, 2017) directed by Bill Condon and starring Emma Watson.
Not only does she voice the enchanted animated teapot but Thompson reports she also has a bit of live-action work, too.
“I went from playing deeply distressed German house Fraulein to porcelain,” she says with a laugh. “That was not a journey I’ve made before, frankly.”
In a recent interview with Collider, Don Hahn, who produced such Disney classics as The Lion King and Beauty and the Beast, discussed Bill Condon's upcoming live-action remake and the excitement of reinventing stories.
Are you taking the same approach with the live-action Beauty and the Beast?
HAHN: Beauty is 25 years old next year, so it’s ripe for reinvention, and the Broadway version reinvented it. Bill Condon is pretty brilliant, and the cast that he put together is amazing. It’s an odd place for me because I feel like it’s very important to reinvent it. Intellectually, I know that. And then, on the other hand, it’s my baby. But, I would never want to go see that. If you want to see the exact same film, put in the original film. I’m excited about it. I’m excited because reinvention is not only what Hollywood lives on, but it’s what we live on, as human beings. Walt Disney was the ultimate storyteller. Through it all, he let stories carry the day. His stories drove his whole life, including the character of Walt that he created. So, it’s about reinvention and about doing it in a fresh way.
What do you think will most surprise people about this version of Beauty and the Beast?
HAHN: Oh, I don’t know. It’s too soon to tell. It’s too early. Ask me in March of 2017.
